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Great Movies Revisited: What Demolition Man Can Teach Europe about How Crime Should be Fought

Great Movies Revisited: What Demolition Man Can Teach Europe about How Crime Should be Fought

A relic of a more brutish past, Simon Phoenix enters the year 2032—a placid utopia, where police act more like customer service reps, politely urging criminals to rethink their actions.

When police officers confront Phoenix with such puerile warnings, he humours them—only to tear through them like a wolf in a petting zoo soon after. Decades of peace have left law enforcement unprepared for real violence.

Sometimes, the most unexpected films end up being the most prescient. Blade Runner imagined a corporate-controlled, neon-lit dystopia, 2001: A Space Odyssey promised moon bases, yet neither happened. Once over-the-top satire, Demolition Man, however, feels eerily real. 

Set in a sanitised, hyper-regulated future, Demolition Man follows John Spartan (Stallone), a reckless cop, and Simon Phoenix (Snipes), a one-man crime wave. Cryogenically frozen and revived in 2032, Spartan finds a society that traded security for control—while Phoenix exploits its total unpreparedness for real violence. 

Europe, like Demolition Man’s San Angeles, thought it had solved violent crime. Homicide rates have plummeted—Germany’s from 2.5 per 100,000 in 1995 to 0.8 in 2022, France’s from 2.7 in 1993 to 1.6 in 2023, Italy’s from 3.4 in 1991 to 0.5 in 2022, the UK’s from 1.9 in 2002 to 1.1 in 2021.So why does it seem like it is now worse than ever?

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