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Africa’s Changing Reels: The Rise of Nollywood

Africa’s Changing Reels: The Rise of Nollywood

In a cramped Lagos apartment, a group of girls squeeze themselves into a couch in front of a flickering screen. The title sequence announces the highest-grossing film by Nollywood (the Nigerian film industry) so far; 2016’s The Wedding Party. 

Yet it features no loveably awkward Hugh Grant, or a clichéd meet cute in downtown Manhattan—here we have matriarchs donning Gele head wraps, Agbada-robed groomsmen, a misplaced wedding ring and, a staple of the genre, feuding in-laws. By the time credits roll, romance no longer belongs to foreign screens. Here, love is loud and, most familiarly, Nigerian.

Across town, one of the girls’ brothers is watching 2022’s Aníkúlápó with his friends, Nollywood’s retelling of old myths—the landscape is African, the gods, vengeful, the stakes, as high as those in Avengers: Infinity War. Here again, at the final scene, this brother knows the world’s destiny is no longer decided by foreign superheroes in foreign lands .

Nollywood emerged in the early 1990s as a significant cultural and economic force in Africa. Its rise can be traced back to the release of Living in Bondage (1992), a low-budget Igbo-language film that resonated deeply with local audiences. Produced on VHS tapes and distributed from the grassroots, the work marked the beginning of a new era of filmmaking in Nigeria.

The industry’s rapid growth was owed to the affordability of video technology, a burgeoning urban population with television access, and the decline of Nigerian film theatres, which pushed filmmakers to create content for home viewing. The industry’s informal distribution networks, including street vendors and markets, allowed it to thrive without reliance on traditional theatre chains.

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