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The Kidnapped West: Milan Kundera and Central Europe’s New Dilemma

The Kidnapped West: Milan Kundera and Central Europe’s New Dilemma

Few essays have captured Central Europe’s existential predicament as poignantly as Milan Kundera’s The Kidnapped West. 

Written in 1983, with the Iron Curtain still partitioning the continent, it articulated the frustration of nations—Poland, Hungary, the Czech Republic, and Slovakia—who saw themselves not as Eastern, but as captive members of Western civilisation. They saw themselves as heirs to Latin Christendom, to the Renaissance and the Baroque, to Goethe and Descartes. 

Yet war and ideology had wrenched them away, leaving them trapped in Soviet Russia’s orbit. Kundera writes: “Geographic Europe” (extending from the Atlantic to the Ural Mountains) was always divided into two halves that evolved separately: one tied to ancient Rome and the Catholic Church, the other anchored in Byzantium and the Orthodox Church. After 1945, the border between the two Europes shifted several hundred kilometers to the west, and several nations that had always considered themselves Western woke up to discover that they were now in the East.”

Kundera’s argument was clear: Central Europe, far from some wayward backwater, the very heart of Western culture, had been stolen by an empire—atheistic and devoid of any regard for distinct nationalist cultures—with which it felt no kinship. 

A Homecoming With a Bitter Aftertaste

When the Berlin Wall fell, the Visegrád nations rejoiced at what they believed to be their long-awaited homecoming. Like model pupils, they embraced and preached the virtues of liberal democracy and a free market economy, whilst feeling comforted by NATO’s defense umbrella. 

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