Society

A Clockwork Orange Revival: Terror Without Ideology

Europe’s counterterrorism officials are tracking young attackers who seek status rather than political change. Attacks in Finland, Sweden and Romania show how “ultraviolence” has become a contest for recognition before an online audience.

Malcolm McDowell as Alex in A Clockwork Orange.

Malcolm McDowell as Alex in Stanley Kubrick’s 1971 film A Clockwork Orange. Photo: Screen Archives/Getty Images

In his 1962 novel A Clockwork Orange, British writer Anthony Burgess sent his protagonist Alex and his Droogs through a society in which “ultraviolence” had become a form of recreation. The young perpetrators need no political objective because violence itself provides them with pleasure, belonging and status.

More than six decades later, European security officials are warning of a very real version of this fiction. European Union Counter-Terrorism Coordinator Bartjan Wegter speaks of “nihilistic violent extremism”, describing predominantly young people who carry out real-world attacks to prove themselves in closed online communities. Violence serves as a means of self-promotion and of gaining status within the group, he told the Associated Press, even when no clear political or religious objective can be identified.

EU Counter-Terrorism Coordinator Bartjan Wegter. Photo: Bryan Meade/EPA/Profimedia

The best-known part of this milieu is 764, a loose international network within a broader criminal online ecosystem known to its participants simply as The Com, short for community. 764 was founded by Bradley Cadenhead, an American who was only 15 when he formed the group and is now serving an 80-year prison sentence for child pornography offenses. His imprisonment did not bring 764 to an end because it requires neither central leadership nor a permanent organizational structure.

The perpetrators frequently target minors who talk online about depression, self-harm, loneliness or struggles with their sexual identity. They gain their trust, persuade them to send intimate images and then use the material to blackmail them.

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